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The Wind Rises (2014) REVIEW: Most anime buffs are likely familiar with renowned Japanese animation director/screenwriter Hayao Miyazaki's work in Mononoke-hime (1997), Sen to Chihiro no kamikakushi (2001), and Hauru no ugoku shiro (2004). Here in the West, those films are known as Princess Mononoke, Spirited Away, and Howl's Moving Castle. The Wind Rises and Miyazaki's last two feature-length animated films mentioned garnered Oscar nominations, with Spirited Away becoming the first anime movie to win an Academy Award, for Best Animated Feature. As for The Wind Rises, it's reportedly adapted from Miyazaki's 2009 Japanese manga comic book series, Kaze tachinu. Possibly the most stunning aspect
of this movie is how surprisingly underwhelming it is from beginning
to closing credits. It's unclear whether of not Dr. Jiro Horikoshi
(1903-1982) is generally considered a legendary hero in his native
Japan, or a particularly exceptional figure by international
aviation historians. He probably is. And, The Wind Rises may
very well be the billionth time his life has been adapted for
the screen over the years, but this stylized depiction of Horikoshi's
years as a trailblazing young aeronautical engineer before and
during WWII desperately fails to inspire any tangible reason
for a paying audience to feel it needed to be made at all. His
obsession over refining reduced wind drag through the perfection
of flush rivets is kind of a buzz kill, frankly. Sure, The Wind
Rises is clearly a mature, cinematic labour of love from director/screenwriter
Miyazaki. Hardly a kids flick, his screenplay definitely takes
great pains to present Horikoshi as a sympathetically doomed
dreamer whose personal and professional successes were bittersweet.
It's also worth mentioning that the attention paid to often-peripheral
detail seen throughout is definitely a novel treat for watchful
anime lovers. As well, the film's regular flights of whimsy featuring
Jiro's dreamland moments with his Italian hero, Giovanni Battista
Caproni, are fun. However, it's not enough. The picture is a
tough one to relate to. (Read
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